Scheming gnomes trying to look innocent
On an unusually sunny and lovely day yesterday, we took a drive to
Montignac to cruise through a somewhat disappointing little Brocante fair. Despite the slim pickings,
we still managed to liberate seven disgruntled gnomes from their previously ignominious
existences lurking about in the back of someone's barn. I'm not sure if
they're happy with their new home yet...some of them look a little
suspicious of their new surroundings. I think they're planning something...
| Village of St. Amand de Coly |
As we headed back toward Sarlat from Montignac, we decided to make a left turn and head into the hills to visit the little village of St. Amand de Coly. I've wanted to go there for years and years now, but we've never turned off the main route to follow that tempting sign.
We were surprised to find ourselves there in just a few minutes, and even more surprised by how quiet and calm it felt, while the rest of the region around Sarlat was madly teeming with hordes of tourists.
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| A parishioner collects dead flowers from the altar displays |
St. Amand de Coly is home to a magnificent and looming 12th-century
fortified church which also served as a hermitage and abbey. Spiritual needs gave way to defensive requirements during the Hundred Years' War, when the church was more of a fort than a place of meditation.
It's a very tall, imposing tower, foreboding and austere and impenetrable. Some of the defensive walls are as much as four meters thick, and there is still a large ditch or moat around the perimeter. Yet the interior is well-lit, wide open and uplifting. A simple wooden cross adorns the main altar.
The pale golden stone glows with the light from the windows; some portions of chapel walls show traces of frescoes that have faded away. Refreshingly, there's not much inside the church other than ancient, worn stone floors and staircases and an open, airy and austere space. It's simple, unembellished, with no fancy giltwork or elaborate cornices or decorations or statuary. Just those cool, silent stones.
Les Toits en Lauze
To the right, you'll see some interior and exterior views of these amazing and typical roofs, found only in the region around Sarlat.
The peculiarly steep pitch of the roofs helps keep the entire structure from collapsing from the weight of the stones. Closely spaced beams and rafters add more support for this indigenous roofing material with an approximate weight of 500kg per square meter – about 102lb per square foot.
Highlight of the visit...le dinandier.
Alain Lagorsse has been hammering out a living for 35 years in St. Amand de Coly.
His certification and achievements include Meilleur ouvrier de France, compagnon du tour de France et des Arts Sciences et Lettres
| Rolling and pounding |
These awards are kind of a big deal, indicating that his original craft education included at least seven years of rigorous training and apprenticeship. Compagnons du Tour de France are highly esteemed; those who survive the program and are awarded membership in this mysterious 'brotherhood' are considered to be among the top artisans of their crafts, which originally included watchmaking, masonry, metalwork and carpentry. You can read more about the Compagnons du Tour de France here: Compagnons du Tour de France
| Alambic still and saucepans |
Above, Mr. Lagorsse is hammering out a sheet of copper to replace the chimney on the oval tank seen on the right. It looks like a muffler, but it's really part of a portable alambic still. Although he's primarily known for his delicious kitchenware, he still does all kind of metalwork as needed, handling odd jobs and repairs for his local clientele.
| Mr. Lagorsse's workshop |
His workshop overflows with an amazing collection of tools of his trade, from various anvils, forms, lasts, drill presses, finished and unfinished projects both utilitarian and decorative, to hammers, awls, and rollers.
| A vast selection of his hammers |
I thought a hammer was just a hammer. Silly me. I guess he needs about fifty different hammers to get the job done properly. Some of the hammers were as beautiful as the items he produces with them.
His
copper cookware is exceptionally beautiful, totally handcrafted, signed by the artist, and expensive.
I'll be back someday, and treat myself.


